Bleeding Rainbow: Pumpkin Cinema (2014)

For many, one of the highlights of the Halloween season is indulging in an endless variety of horror films. Whether you’re someone like myself, who uses the season as an excuse to go all out and watch as many horror movies as possible, or the average person simply looking for a few good scares, horror films are as important to Halloween as pumpkins and trick or treating. If there’s one thing that both the hardcore horror fans and casual viewers have in common, outside of the desire to watch a horror movie, it’s the fact that a major decision must be made: what movie should I/we watch?

This is where Pumpkin Cinema: The Best Movies for Halloween comes in.

With over 100 movie recommendations, Pumpkin Cinema promises “to make your Halloween fun and frightening,” by ensuring that you won’t waste any of your precious Halloween time on crappy movies. Author Nathaniel Tolle does so by setting down some basic guidelines: the films included are fast paced, they either take place on Halloween or during the fall season, they’re under two hours long, and they aren’t mean-spirited and cruel. So something like Martyrs is out of the question. I’ve always considered that one a Christmas film anyway.

Outside of an introduction, Pumpkin Cinema is broken down into 4 sections: Fun-Sized Films and Creepy, Crawly Compilations, which looks at a number of shorter Halloween offerings, including specials such as It's the Great Pumpkin, Charlie Brown and Witch's Night Out as well as film compilations like Boogeymen: The Killer Compilation and Terror in the Aisles. Halloween on the Small Screen: The Best Television Episodes and Specials is focused on a variety of special Halloween episodes for television shows such as The Facts of Life, Martin and the master of Halloween herself, Roseanne. The Attack of the Top 5 Lists features a number of top 5 lists for anyone looking for something specific like Vincent Price movies, films featuring ghosts and other things of that nature.

The fourth and most important section of Pumpkin Cinema belongs to Feature-Length Flicks-a-Fright that Go Bump in the Night. Taking up a majority of the book’s 176 pages, this section features reviews for a variety of feature-length movies, covering everything from Abbott and Costello Meet Frankenstein and Ernest Scared Stupid to Black Sunday and Troll 2.

Throughout the book, it’s clear that Tolle has a true love and passion for his subject matter, and this comes through in his writing and painstaking dedication to putting it all together. The magic of Halloween courses through the book, as Tolle’s words convey the innocence and nostalgia that comes with the season for many of us who gleefully take in every ounce of Halloween horror possible. Pumpkin Cinema is, quite simply, the perfect guide for all of your Halloween horror needs, no matter how different they may be from one person to the next. Whether you’re a seasoned horror fan, a group of tween girls or even a family looking for a safe scare, Pumpkin Cinema truly has something for everyone to choose from.

Chucktober 7: H2-Oh Snap!

Welcome back, toys and squirrels, to the 7th annual celebration known as Chucktober! Seeing as this is the 7th year (which is only 3 years away from 10, so that makes it special), I’ve put all my effort into ensuring this is the best Chucktober yet! Or, at the very least, the seventh best.

In any event, the lineup for this Chucktober is packed, stacked and ready to attack, so take a moment to see what I have in store for you!

It’s okay if you cry… it’s a lot to take in. And really, you’re a little unstable, so I had a feeling that this would happen. Here, have some orange juice… you good? Okay, then…

LET’S GET THIS CHUCKTOBER STARTED RIGHT!

Baby Babble: Heavy Liftin’ and High Kickin’

Hey guys. How’s it going? That’s cool. I’m doing well, thank you. I know I haven’t been around much, but that doesn’t mean I haven’t been thinking about you. Because I have. In fact, I think about you a lot. Like a lot lot.

Besides thinking about you, I’ve also been getting around a bit, and I don’t mean sexually (yes I do). To be more specific, I was asked to play guest host on an episode of the buffest podcast on the planet: CULT OF MUSCLE!  In this very special episode, I join Jake and CDR as they kick off Sleazy Summer, a month-long, multi-podcast sleaze-a-thon featuring podcast heavyweights such as Hammicus, The Feminine Critique, The Trashy Trio, Married With Clickers, Silva and Gold, and The Gentleman's Guide to Midnite Cinema. Seriously, shit is epic.

In any event, Jake, CDR and myself covered a pair of doozies: 1979’s BLOODRAGE and 1983’s CROSS COUNTRY! It was an absolute blast partaking in such an epic event, and if you aren’t already listening to Cult of Muscle on the regular, no time is better than now to start. Believe you me when I say that these two studs deliver on one of the most enjoyable film podcasts on the planet. Shit, in the universe, even!

If you’d like to check out the episode. and I know you do, you can hit the link below to listen. Alternatively, you can find Cult of Muscle on iTunes, where you should subscribe and listen to them every day until you die. Or until you run out of episodes to listen to. At that point, well, you can just listen weekly.

Cult of Muscle:  Episode 80 - Sleazy Summer Kick Off

Hey, that might seem like a whole lot to take in, but that’s not all I have for you! In fact, my good buddy Karl Bezdin is celebrating the five year anniversary of Fist of B-List, and to help him celebrate, he asked ME to provide a guest post!

Seeing as this is such a special occasion, being a five year anniversary and all, I had to bring the thunder, or at least try to, and I did so with a ridiculous post addressing the importance of being properly dressed to survive an American Martial Arts film. You really never know when you’ll find yourself fighting for your life in a ninja training camp that doubles as a major cocaine operation, so it’s best that you dress the part, and the best way to prepare yourself is by hitting the link below!

4 Items You Must Have In Your Wardrobe to Survive an American Martial Arts Movie

Okay, that about does it. Again, I apologize for not being around so much, but as you can see I’ve been fairly busy playing guest host as well as getting ready for

You can pick up your jaw now.

5 of the Best Vengeance Seeking Female Movie Characters

Revenge can come in all shapes, sizes and forms, but there is no form I love more than that of the vengeance seeking woman. Whether it be through sheer wit, extreme violence or a mixture of the two, there’s something so thrilling about watching a woman stick it to the man in a variety of ways. Especially when the proverbial man deserves such comeuppance.

For your consideration, I have compiled a list of five of the very best examples of vengeance seeking female characters.  

Sex and Fury (Furyô anego den: Inoshika Ochô)

A majority of vengeful characters start off as victims, but that would not be the case with Ochô Inoshika in 1973's Sex and Fury. Played by a very young Reiko Ike, Ochô is a low life criminal who has honed the ability to slice up mofos with her sword, making her more than capable of exacting her vengeance without any inclination of fear.

Sex and Fury is sleaze at it's best (the film also stars sleaze Queen Christina Lindberg!), but with as much sex and violence as the film has, it is beautifully made on all levels. In what is the movie's highlight, Ochô is attacked while bathing, which results in a fight scene for the ages. Quickly moving the fight outside, Ochô proceeds to take out each of her attackers one by one, in the snow, while being completely naked. During this scene, there is this wonderful shot where all that is seen is Ochô's legs as she dances around in the snowy exterior, with blood splatter and limbs hitting the snowy ground all around and her legs.

The scene is easily one of my all-time favorite fight scenes, and the music used to score it is just fantastic. Sex and Fury is exploitation done perfectly, as it takes an artistic approach to a film that is, for all intents and purposes, all about sex and violence.       

Ms. 45 aka Angel of Vengeance

1981's Ms. 45 is a rape revenge film starring Zoë Tamerlis Lund as Thana, a girl who is raped not once but twice in the same day. After she is able to fend off her second attacker by beating him to death with an iron, she takes her attackers weapon, a 45. caliber pistol, and keeps it for herself.

After these horrific events, Thana becomes fearful that any male she encounters is a violent rapist. Due to this fear, Thana goes on a killing spree, with the target's being men who, in her mind, would mean to do her harm. Thana takes this fear and uses it as a jumping off point to swap places and become the aggressor; the one with the upper hand. She uses her looks and sexuality to seduce (mostly) scummy men with the intent of setting them up so she can shoot them with her new 45. caliber pistol.

Director Abel Ferrara does what he does best, as he gets down and dirty in this New York set revenge film. Ms. 45 is a perfect example of how great the New York city aesthetic was for cinema during the ‘70s and ‘80s, and Ferrera encapsulates all the grit and grime of New York during this time period. The city works as a perfect backdrop for a woman who has become traumatized by fear, as any corner or dark alleyway could possibly contain her next attacker. Or in Thana’s case, her next victim.

Coffy

1973's Coffy is hands down one of my favorite Blaxploitation films. Written and directed by one of the greatest exploitation directors of all time, Jack Hill, Coffy is just one of many examples of the genre legend's fine work. The film stars the great Pam Grier in the titular role of Coffy, who promises to take out local drug pushers after her eleven-year-old sister is hospitalized after shooting up some bad heroin.

Coffy uses her sexuality to take her revenge – even pretending to be drugged up and looking for some action – as she lures unsuspecting scum to their deserving demise. There's plenty of sex mixed in with some great action via Coffy’s shotgun, but Coffy as a film is still played straight, opting to concentrate as much on the exploitation elements as it does the characters and story. This is a true testament to the respect Hill had for the movie he was making.

The character of Coffy is sexy, deadly, and smart, all the elements that make for a great revenge film character. Coffy is the film that put Grier on the exploitation map, and even though she's a little rough around the edge performance wise, she remains highly entertaining, especially in how well she delivers Hill’s fantastic dialogue.

(Sympathy for) Lady Vengeance (Chinjeolhan geumjassi)

In the third part of Chan-wook Park's near perfect Vengeance Trilogy, 2005's Lady Vengeance is a revenge tale by way of art house cinema. With each passing film in the Vengeance Trilogy, the visual prowess becomes more and more intense, and Lady Vengeance is the culmination of these efforts. Where the film stands out most, however, is with the character of Geum-ja Lee, as played flawlessly by Young-ae Lee.

Geum-ja spent 13 years of her life behind bars for a murder that she did not commit. Her tale of revenge is against the real murderer, a man who has, for far too long, gotten away with atrocities that would put fear into even the most jaded of hearts. Geum-ja is calculated, precise and very patient in how she goes about taking her revenge. She makes the right moves in prison by displaying maternal like qualities as she cares for her fellow inmates, even going as far as to donate an organ to someone who, in turn, will be forever indebted to Geum-ja. By the time she is released from prison, there are a number of paroled inmates who are more than willing to help Geum-ja, and she takes full advantage of their help to see that her vengeance is fulfilled.

Lady Vengeance is much like Geum-ja: calculated, precise and very patient. It slowly but strikingly burns, leading to an amazing final act and conclusion for the lead character.

Lady Snowblood (Shurayukihime)

In Toshiya Fujita's 1973 film Lady Snowblood, the beautiful Meiko Kaji portrays Yuki Kashima (aka Lady Snowblood), a character who is nothing more than an instrument created to avenge the injustices that her parents suffered.

Her father was murdered, her mother imprisoned and continuously raped, and it was this abuse that her mother went through that brought about Lady Snowblood. Yuki was purposely born for one reason and one reason only, and that is to seek vengeance for a family that she would never come to know and love. Nothing else. Revenge is her sole purpose in life and the reason for her existence. She's like a Terminator, but with far more style and grace.

Lady Snowblood is a brilliantly crafted film, filled with vibrant colors, beautiful cinematography and a fantastic score. It’s also extremely bloody and violent, and in a way that shows an immense amount of creativity.

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Thanks for digging into my list, and I very much encourage you to share your thoughts on my picks as well as share some of your favorite vengeance seeking female characters!

Take A Trip Back to the Video Store With “VHS: Video Cover Art: 1980s to Early 1990s”

Many middle-aged genre movie fans carry with them fond memories of video stores and the films contained within them. Of course, while the films themselves were an important factor in creating such memories, the one single thing that many of us lament most is the incredible VHS cover art that filled the shelves of our favorite video stores. The nostalgia is certainly heightened by the fact that VHS cover art (and poster art in general) has all but become a lost art form since sometime in the mid-‘90s with Photoshop and the birth of floating head posters.

Thankfully, however, there has been a small resurgence in the art form over the years, and this very much coincides with the rise in popularity of VHS as a niche collectable as spearheaded by nostalgic movie fans. This all comes into play with the coffee table book VHS: Video Cover Art: 1980s to Early 1990s. Curated by independent art director, designer, and artist Tom “The Dude Designs” Hodge – who has done some amazing retro-style poster art for films such as Hobo with a Shotgun, The Innkeepers and Wolfcop, among others – the book is born out of both love and appreciation for VHS artwork, specifically for movies that are a little more off the beaten path.  

Outside of three pages dedicated to a forward by CEO of Mondo, Justin Ishmael, and an introduction by the book’s curator, Tom Hodge, VHS: Video Cover Art: 1980s to Early 1990s is entirely dedicated to VHS cover art for rare and obscure films. The collection contains over 240 full-scale, complete video sleeves, which mixed with the ample 12” x 9” size results in a book that is simply gorgeous to look at and handle. Outside of the VHS art itself, each sleeve features the film’s title, alternate titles, distributor, release date, and, if applicable, the artist who actually created the cover art, all of which is located at the bottom of each page.  

The book is broken down into six different film genres: Action, Horror, Sci-Fi, Comedy, Kids, and Thriller, and what might be the book’s biggest strength is the fact that many of the films on display are quite obscure. Look, I consider myself a seasoned cult movie fan, and yet I came across a slew of movies featured in this book that I haven’t heard of, which resulted in myself writing down a number of titles to check out ASAP. This really speaks to the power of the artwork and the overall packaging of these films; the fact that these VHS sleeves are still able to elicit a level of excitement from someone such as myself is proof positive that the people putting out these movies knew exactly how to target their audience. Nothing says great marketing tactics quite like being able to pique our imaginations and, more importantly, our curiosities even 20-30 years later.  

VHS: Video Cover Art: 1980s to Early 1990s is an opportunity to go back and study VHS covers in a way that is quite similar to how many of us did as we were growing up and perusing video stores. However, this time around, and because each VHS cover is literally right at the reader’s fingertips, it’s much easier to not only take in the madness that all of these films convey, but to also analyze and appreciate the artwork and intricate detail that goes into each and every piece. It’s just as easy to flip through every page of this book and find excitement in the initial impact of each VHS sleeve as it is to sit back and take a few minutes deeply analyzing everything that goes into it all. And therein lies the beauty of a book of art; you can enjoy any way you see fit at any given moment.

‘Occam’s Razor’ Looks to Carve Out Some Funding

Director and USC Film Student Alex Parslow is looking to add a little spunk to his USC graduate thesis with a Kickstarter campaign. The goal is to raise enough money so Parslow’s short film, Occam’s Razor, is not only excellent, but good enough to work as a proof of concept for a feature-length horror film.

Set in 1851, Occam’s Razor is described as a classic Gothic horror with a unique twist, focusing on a post-mortem photographer who is called into a small conservative Pennsylvania town to photograph dozens of children who mysteriously died. The photographer, however, soon realizes the spirits of the deceased are trying to communicate to him, leading him to investigate and uncover the town’s dark and twisted secret.

The film, which will star Beth Grant and Carmen Argenziano, is set to be directed by USC School of Cinematic Arts MFA-candidate Alex Parslow, who co-wrote with Andre Kovalov. Parslow and Kovalov recently made a splash with their script Apex Dark, which landed them on both the "Hit List" and "Young and Hungry List," for best unproduced screenplays in the industry. Through this they have secured representation with Lee Stobby Entertainment and are already taking meetings on the development of Occam’s Razor, and are eager to develop a fully conceived version of the short.

Please take a few minutes to check out their Kickstarter video below, and if you are feeling supportive, hit the link at the bottom of this post to donate towards their cinematic cause.

Occam's Razor Facebook Page

Occam's Razor Kickstarter Page

Salute Your Shorts: Selfie (2014)

Opening with a moment of crippled intimacy between a young couple, Selfie tells the story of a young woman (Jasmine Breinburg) who finds herself on the wrong end of betrayal.

Within the first few seconds of this 7 minute short film, it is clear that the woman has just turned her boyfriend (Thomas Law) down after a sexual advance. She is visibly distressed by what occurred, indicating that he may not have taken it so well at first. Though, in the moment the viewer is brought into their world, the boyfriend is trying to patch things up by showing a level of understanding about her hesitations.

The boyfriend leaves for the afternoon, but later on in the day the two exchange text messages that bring a smile to the girl’s face, indicating that they’ve made up. Immediately after this interaction, the young woman decides to show her beau a little sexual affection by taking a topless photo of herself and sending it to him. While her intentions are innocent, her boyfriend’s are very questionable, as he betrays her trust by sharing her photo on a voyeur website.  

Written and directed by Ben A. Williams, Selfie is a companion piece to Stephen Fingleton’s short film S.L.R. (S.L.R. review). There’s a lot of connective tissue between Selfie and S.L.R., something of which gives the world contained within the two shorts a feeling that is both confined and vast. Furthermore, the way Selfie and S.L.R. intertwine with one another makes the voyeuristic elements coursing through both films all the more unnerving.

Like S.L.R., Selfie is an exceptionally made short film. There’s a slight haze and slow flowing dreamlike quality to the Selfie that exudes a tangible feeling of tranquility, something of which comes in stark contrast to the very dark undercurrents contained within the film. What’s most impressive, though, is that this is all done in only 7 minutes.

I highly recommend watching both S.L.R. and Selfie, and in that order. Both are truly impressive short movies that receive nothing but the highest marks from myself.