Fritt Vilt 2 (2008): (Cold) Prey for Death

Way back in August of 2009 I wrote a review over at Paracinema for Fritt Vilt (aka Cold Prey), a Norwegian Slasher flick that made a pretty solid splash on the horror genre in 2006. From what I recall, I quite liked the film, so I figured it was high time I took another trip to the frigid mountains of Norway for a little slaughter in the snow with the 2008 sequel, Fritt Vilt 2.

Fritt Vilt begins exactly where the last film left off, with the lone survivor, Jannicke (Ingrid Bolsø Berdal) being taken to a hospital after she is discovered on the side of the road. Being found covered in blood and holding a pickaxe, the authorities are naturally present for questioning when Jannicke awakens. She tells them the story of how her friends were murdered and dumped in a deep mountain crevasse and how she was able to overcome the killer and send him down the same crevasse to join her friends in death. The authorities aren't quite sure what to make of her story at first; is she lying or is everything she has told them, as crazy as it all sounds, the truth?

The police immediately investigate the area where this all took place, and after finding the bodies of her friends and the killer, they are brought back to the hospital morgue which happens to be where Jannicke is being treated. Now, considering this is a sequel to a Slasher film, it should be obvious where the film might go from that point, so I'll just say that when you bring the presumed killer to the same hospital where the previous film's final girl is being taken care of, well, things are going to happen. Namely murder.

As you may have already noticed, Fritt Vilt 2 takes a lot of "inspiration" from 1981's Halloween 2, specifically in its setting and how it takes off at the same point in which the first film landed. However, unlike Halloween 2 (which is a film that I adore, mind you), Fritt Vilt 2 is far from the bigger, stronger, faster, but infinitely less competent sequel that Halloween 2 is. In fact, I am more than confident in saying that what director Mats Stenberg (who took over for Fritt Vilt director, Roar Uthaug) did with Fritt Vilt 2 is piece together a sequel that not only goes toe-to-toe with its forefather, it surpasses it.

Now, while I did enjoy Uthaug's Fritt Vilt, I did have a few minor quibbles with it, namely being that there simply weren't enough kills. To top it off, with a runtime of 98 min, mixed with a body count that can be counted on one hand, the film ran a little long. In fact, in my review of that film I specifically stated that it should have been at least ten minutes shorter. Thankfully, both of these issues are addressed in Fritt Vilt 2. Not only are there a few more kills, but this installment comes in at a brisk 86 min, which makes for a perfectly balanced modern day Slasher film. However, the most important aspect of what makes Fritt Vilt 2 a superb sequel is the fact that it not only fixes the few nagging issues that Fritt Vilt had, it does so without losing even an ounce of quality, something that is sort of unheralded when it comes to a Slasher film, let alone a sequel to one.

Trading in the confines of an abandoned ski resort for a remotely located hospital on the verge of shutting down (for reasons that are never dwelled upon), Fritt Vilt 2 delivers a setting that feels cold, empty and perfect for stalking. The backdrop, as well as the film as a whole, is brought to life quite nicely by cinematographer Anders Flatland, who clearly knows how to make great use of the hospital setting. While the film is technically impressive, one of the biggest compliments I must hand out are for the deep and cleverly written characters. I appreciate the fact that the characters are full of honest dialogue that proves to be refreshingly confident in its audience's intelligence level. These characters and their interactions with each other feel genuine and true to real life, specifically when it comes to the new female lead, Camilla, who is wonderfully portrayed by Marthe Snorresdotter Rovik.

Like the first film, Fritt Vilt 2 also makes way for some very strong, respectably written female characters. From the returning heroine Jannicke, who is still in complete survival mode, and the compassionate Camilla, to all of the minor female characters, these women are treated as real people, not empty headed eye candy waiting to be slaughtered. It's always refreshing to have female characters in a Slasher film treated in such a way, and when you add that dimension to a film that already does so many things right, great things can happen. And they certainly do, as the end result is a film that brings in all of the best attributes of its predecessor, while leaving behind all of its issues to present the audience with what I consider to be one of the best Slasher films of the last decade.

The Only Good Nazi, Is an Undead Nazi

I had very low expectations for 2009's Dead Snow, which could possibly be due to the fact that it was touted as a horror comedy and I was hoping for something a little more serious I guess. Many of the reviews I looked at were (and still are), for the most part, lackluster and the complaints about the film only ensured that I would more than likely hate it. As it turns out, those reasons that I should dislike Dead Snow are very much there, but for some reason, they didn't bother me all that much.

Directed by Tommy Wirkola, Dead Snow follows a group of medical students who take a trip to a secluded mountain cabin for a weekend of skiing and fun. Their good time is flipped upside-down when they are faced with the threat of vicious Nazis, but these aren’t Neo-Nazis were talking about here folks…nope, these are Zombie Nazis, straight out of (Compton!) WWII! Now, why would Zombie Nazis do something this uncalled for? Well, there's this conveniently (but well) told back-story where it’s explained that during WWII, a group of Nazis tried to steal valuables from the local people near the end of the war. The townsfolk took action into their own hands, attacking and killing many of the Nazis, and chasing the remaining ones into the frigid mountains, where it is thought that they all had froze to death. Since then, there have been many deadly and strange occurrences to happen in the surrounding area.

Now, Dead Snow is a Zombie film, but it really does not follow the structure of one, nor, outside of a few scenes, does it hardly ever feel like one. Instead, much of the film, especially the first half, follows the structure of a Neo-Slasher movie. I guess with the feel of a Neo-Slasher film mixed in with the snowy and secluded setting, Dead Snow has a lot in common with another well know Norwegian horror film, 2006's Fritt Vilt (better known in the States as Cold Prey). Both films have similarities, but are essentially quite different from one another, however, it is easy to compare the two in many ways but one, which is Dead Snow is less serious when it gets down to the nitty gritty.

Marketed as a horror comedy, Dead Snow is looked at and compared to films like Shaun of the Dead and the more recent, Zombieland. However, I would not consider it as much a horror comedy, as I would a fun horror movie with comedic moments. I don't think it tries to be as funny as the films just motioned and the humoristic elements seem to be more so at the film’s tail end, when the Undead-Nazis really make their presence known. When the attempts at humor are made, they work pretty well and there are some very funny moments that aren't too over the top and some that are slightly so. Things like a Nazi taking a bite out of one of the characters, only to come up with a mouth full of feathers from the heavy winter jacket. Or, a character that fights off an attacking Nazi while hanging off the edge of a cliff by the intestines of another Nazi. Pretty funny stuff.

Too many powdered jelly donuts? 

Even though it's been done many times before, Dead Snow has a great setting and the surrounding winter wonderland is the perfect place for blood to be spilt. And there is plenty of blood, guts, brains, and even the before mentioned intestines, to satisfy the basic gore needs of some horror fans. However, one of the issues that I take with this film is the fact that there is a liberal use of CGI blood. Now, there are some great effects on display in Dead Snow and many of them look practical, so I don't really understand the need to put in the extra-extra fake blood. Only thing I could come up with is maybe the folks behind the movie wanted to bloody it up a little more after the fact, so they added in the CGI blood afterwards to meet their quota. Bad move.

Now, I already alluded to the fact that I liked Dead Snow, but there are plenty of issues with the movie outside of the CGI blood work. Besides the zombified Nazis, it's not a very original film at all. There is very little that we all haven't seen before, from the setting and the story, to the characters as well as the interaction of those characters. Then there is the one thing that can always irritate most any horror fan…self-referential horror characters and situations. There's a ton of self-referencing in this film, from conversations about Friday the 13th and April Fools Day, to a horror-nerd character wearing a Braindamage shirt, who also warns about certain situations and how they would play out in a horror film. Even some little moments like a trip to a tool shed for weapons, i.e. a chainsaw, are clearly inspired by Evil Dead II.

Still, the referential stuff wasn't completely annoying, even though I didn't really like it and it made me cringe a little, it did not ruin the movie for me. Maybe it was because the movie was subtitled, making it less obnoxious? I don't know, this entire film has stuff that would normally bother me, but with this film in particular, these things just didn't. Maybe my low expectations helped and I could have been in just the right mood to enjoy Dead Snow, but it could also be that it's a wicked fun movie, problems or not. It's very well made, with some great music, solid acting, and some very funny little moments. There are also a few standout scenes that display some serious talent, one being a buried alive scene, as well as a scene where a character wakes up from being unconscious, only to see through groggy eyes that they are being eaten alive.

I think the filmmakers behind Dead Snow did exactly what they set out to do and for the most part, they did it very well. They certainly did it much better than what was done with Cabin Fever 2. I can see many people not liking this film and to a point, I don't blame them. There was quite a bit of hype for Dead Snow and it doesn't live up to that hype whatsoever, but there is a lot of mindless fun to be had with the movie and it's certainly worth a watch with expectations in check.

Another "Hidden" Treasure for After Dark Perhaps?

After Dark recently announced its aquisition of Hidden (Skjult), a Norwegian psychological shocker that marks the fourth title for next years After Dark's Horrorfest: 8 Films to Die For.Co-written (with Brio Flint), and directed by Pål Øie, who's previous film, 2003's Dark Woods (aka Villmark) was pretty well recieved all around. I haven't seen it myself, but after checking out the trailer, I will be keeping my eye open for it for sure.

Staring Kristoffer Joner, Cecilie Mosli,Anders Danielsen Lie, Bjarte Hjelmeland and Karin Park, Hidden follows the story of Kai Koss (The daddy Mac will make ya Jump-Jump!), a man who returns to his home town after a 19 year hiatus when his abussive mother passes away. Left in charge of the family home and the dark secrets that come with it - Kai becomes entangled in a series of murderous happenings and soon learns he cannot run away from his dark past, a dark past that he has tried to run away from for almost two decades.

With The Graves, Lake Mungo, and Clive Barkers Dread, After Dark has been hitting it outta the park in terms of the potential that the films they are aquiring for the 4th annual 8 Films to Die For film festival have. Will any of them deliver, chances are yes, at least a few of them, but this slate is the most promising by far, and Hidden only adds to that potential of a great series of horror films. And this is still only the fourth film that is announced...I can only hope that After Dark can come up with four more that have me as interested as the films already announced. Based off this great trailer, Hidden looks creepy and atmospheric with some beutifull looking imagery that should make for a scary psychological thriller.